moss, olive, khaki, etc.

I'm working on changing my online habits--thinking about how I use the internet, and how it uses me. What I dislike the most about the world wide web, and what scares me, is how rapidly it has consumed so many aspects of my life. Rebecca Solnit articulates my feelings in  this wonderful essay. 

"That bygone time had rhythm, and it had room for you to do one thing at a time; it had different parts; mornings included this, and evenings that, and a great many of us had these schedules in common." 

But I've missed this place, this web log--and it feels like an actual place, and not just words and pictures on a screen. I picture a spiderweb with tiny dots on it--I'm one of the dots, and you are one too.                        

And Seamus Heaney died. I felt such a connection to him, through his poetry, his love of language and nature, of mournful beauty. Last spring  I wrote about the frog pond and how it brought to mind his great poem Death of a Naturalist. 

Recently, when I realized the raspberries were blackberries I thought of Blackberry Picking. 

"...red ones inked up and that hunger
sent us out with milk-cans, pea-tins, jam-pots
where briars scratched and wet grass bleached our boots."

The last time I posted paintings, Steve commented, "I'm really motived artistically by seeing these. I suddenly want to see how much red I can add to the greens before they're no longer green. Moss, olive, khaki, etc." 

Despite my passion for the color green, I didn't see that I'd been painting mostly brighter tones, that I'd missed an entire family of shades. I thought about that the next time I painted. (Thanks, Steve.)

I keep looking, and there's always something more to see.